Review

Setting Up The Scott House for the event, Credit : Daakpe Studios

ARCHITECTURE IS A PARTY

Challenging the Perception of Preservation in Accra’s Architecture

A event night in Ghana’s capital addressed issues of public spaces and architectural history from unconventional perspectives.

Gideon Appah’s Forgotten, Nudes, Landscapes: Remembering and Remaking

Institute for Contemporary Art at VCU

Gideon Appah’s Forgotten, Nudes, Landscapes: Remembering and Remaking

Gideon Appah paints between memory and fantasy, referencing a Ghana of the 1950s to 1980s, helping us – perhaps – to imagine a new vision.

DOXANTU. Performing arts Precy Numbi, Mucyo, Peintre Obu, Laura Nsengiyumva. Production : Isabelle N’diaye.

Dak’art Biennale 2022

Out of the Fire: The Postcolony Will Rise

Isabelle N’diaye on the biennial that aims to create the conditions to forge realms out of fire and in action.

Alberta Whittle, Purebred Monkel, Installation view  at the Scottish pavilion in the 59th Venice biennale

Venice Biennale

Unpacking the Milk of Dreams

Mia Harrison on how the exhibition became a platform for womxn artists to articulate, build, and contextualize their individual and collective dreams.

Les ateliers de la Pensée @ Dakar Museum of Black Civilizations. Photo: Guillaume Bassinet

Les Ateliers de la Pensée

Forging Ecologies of Knowledge, in Between Arts and Sciences

The 4th Les ateliers de la Pensée brought together artists and intellectuals from Africa and the Diaspora at the Dakar Museum of Black Civilizations

Carrie Mae Weems, The Push, The Call, The Scream, The Dream, 2020. Installation View at Württembergischer Kunstverein Stuttgart, 2022. Photo: Hans D. Christ

The Evidence of Things Not Seen

Carrie Mae Weems Investigates US History through James Baldwin

The US artist’s first solo and retrospective exhibition in Germany takes the name of a Baldwin essay and features a variety of media.

Installation View

When Rain Clouds Gather

Archives of Womanhood and Blackness in South Africa

This exhibition at Norval Foundation shows a detailed history of pioneering Black South African female artists from 1940 to 2000.

Tamary Kudita, That evening sun goes down, 2020. Courtesy the artist.

ArtHARARE 2021

The Particularities of a Place

This edition of artHARARE, navigating through the city and diasporic experiences, allowed reflections on the possibilities of presenting art online.

Joy Gregory, from the commission Madam Photo, 2020. Commissioned by Autograph for Care | Contagion | Community — Self & Other © and courtesy the artist

Responding to the Global Pandemic

A Photographic Reflection on the Self and the Other

In a recent exhibition, the London-based photographic arts organization Autograph ABP addressed multi-perspective takes on Covid by British photograph

C&’s Highlights of 2021 You Might Have Missed

Best of 2021

C&’s Highlights of 2021 You Might Have Missed

From the restitution of the Benin Bronzes to the overdue celebration of female artists from Africa; these are some of our most read articles in 2021.

El Franco Lee, II, DJ Screw in Heaven 2, 2016. Neon bulb and single-channel audio, 3:04 minutes, 60 x 60 inches. Image and work courtesy the artist.

Let us Mourn in Peace

Global Grief 2021: The Year in Review

Enos Nyamor looks back at a year in the arts marked by collective mourning as a cosmic bond between Africa and the diaspora.

Billie Zangewa, An Angel at My Bedside, 2020. Hand-stitched silk collage, 31.89 x 46.06 inches. Courtesy of Sangbeom Kim and Sunjung Kim.

Thread for a Web Begun at MoAD

Billie Zangewa: The Domestic Is Political

The Malawi-born, Johannesburg-based artist creates scenes of the domestic to celebrate the feminine and the unseen.


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