UTA Artist Space is pleased to present Renaissance: Noir, a virtual exhibition featuring works by 12 emerging Black artists, live on UTAArtistSpace.com from June 9 – July 3, 2020.

Curated by Myrtis Bedolla, Baltimore-based owner of Galerie Myrtis, Renaissance: Noir investigates Blackness on the continuum of the historiographies of Black artists’ narratives that assert, individually and collectively, their state-of-mind and state-of-being Black. The timeliness of the exhibition is particularly significant, as its launch comes amidst a heightened awareness of racial injustice against the Black community, with protests occurring around the world. The show marks UTA Artist Space’s first full virtual exhibition.

The artists highlighted in Renaissance: Noir are Tawny Chatmon, Wesley Clark, Alfred Conteh, Larry Cook, Morel Doucet, Monica Ikegwu, Ronald Jackson, M. Scott Johnson, Delita Martin, Arvie Smith, Nelson Stevens, and Felandus Thames. Their work collectively captures the existence of “double consciousness,” as coined by W.E.B. DuBois, where one is constantly combating the “isms” —racism, colorism, sexism, capitalism, colonialism, escapism, and criticism through the act of artistic activism.

A portion of the proceeds from the exhibition will be donated to Artist Relief, a coalition of small to mid-sized national arts grant-makers that have come together to support artists amid the COVID-19 pandemic. Artist Relief is distributing grants and providing informational resources to artists across the US facing dire financial emergencies due to the crisis. More information about Artist Relief can be found here.

“We are honored to showcase works from Galerie Myrtis, one of the world’s leading Black-owned galleries, especially at such a critical moment in our nation’s history,” said Arthur Lewis, Creative Director of UTA Fine Arts and UTA Artist Space. “It is thanks to Myrtis Bedolla that I first saw the work of Amy Sherald and Jamia Richmond Edwards. She is a true visionary who continues to give broader visibility to the narrative of Blackness.”

“Renaissance: Noir is more poignant than ever as we share these thought-provoking works which depict the social, political, and historical journey of the Black experience through intergenerational narratives,” said Bedolla. “I am excited to be partnering with UTA Artist Space on such a timely collection of paintings, prints, photographs, sculptures, and conceptual works, which span over 40 years of artistic production.” Click here to read the full curatorial statement.

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