In Conversation with Nikita Gale
Contemporary And: Édouard Glissant’s notion of opacity plays an integral part in your current exhibition. H ...
David Shrobe: Somewhere in Between
Karen Jenkins-Johnson and David Shrobe’s discerning curation of Somewhere in Between begins with the brillia ...
Sonia Gomes
“My work is Brazilian,” ends the book simply titled Sônia Gomes published by Cobogó. These words are cen ...
'Slavery. The Prison Industrial Complex'
Photographers have been interested in recording the lives of people imprisoned in penal systems since the 1800 ...
Axé Bahia
In both the exhibition and the book, The Axé Bahia collection of images, artifacts and music is a celebration ...
Kerry James Marshall: The Mastry
The black in Kerry James Marshall’s work is never accidental or immaterial. Marshall’s black is matte, and ...
Seeking a new form of Black subjectivity
In his new single-channel video installation Love is the Message, the Message is Death at MoCA Geffen in LA, A ...
A Solo Retrospective on Belkis Ayón
It’s only right that the venue for the first US solo retrospective on Belkis Ayón would be held in Los ...
Art + Practice
Los Angeles is building it’s reputation as a city for the visual, with new galleries opening and th ...
A retrospective
In a hundred degree heat sits Ode to Frank Gehry and Sixty-five aluminum trays, blue sky encompassing their li ...
Art and community work
Artist Mark Bradford engages in his old neighbourhood in South LA, where he recently opened an art space that ...