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Vista de la exposición

Jean-Michel Basquiat en Brasil

Jean-Michel Basquiat in Brazil

Excursión escolar observando Cuatro grandes, Jean-Michel Basquiat (1982). © Estate of Jean-Michel Basquiat. Licenciada por Artestar, Nueva York.

La mayor exposición de Jean-Michel Basquiat (1960-1988) presentada en América Latina fue exhibida en el Centro Cultural Banco do Brasil de las ciudades de São Paulo, Brasilia y Belo Horizonte, incluyendo 80 obras del artista que pertenecen al archivo particular del mayor coleccionista de Basquiat, Jose Mugrabi, con curaduría de Pieter Tjabes.

La exposición trae varias obras del artista, entre ellas pinturas, collages, bosquejos e incluso platos de cerámica. Basquiat nació y se crió en Brooklyn, Nueva York. Su obra está fuertemente marcada por la presencia de la ciudad en los años 1970 y 1980, entre otros a través de grafitos. Basquiat, uno de los pocos artistas afroamericanos en una escena de artes mayoritariamente blanca, supo cómo subvertir convenciones al mezclar cultura pop y erudita.

Brooklyn, Vitorian houses in Brooklyn, New York, 1980. Joanne Ditmer/The Denver Post.

Brooklyn, Vitorian houses in Brooklyn, New York, 1980. Joanne Ditmer/The Denver Post.

General view of the exhibition Jean-Michel Basquiat, art works of the Mugrabi Collection, CCBB-Belo Horizonte.

General view of the exhibition Jean-Michel Basquiat, art works of the Mugrabi Collection, CCBB-Belo Horizonte.

Brother’s Sausage, Jean-Michel Basquiat (1983). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Brother’s Sausage, Jean-Michel Basquiat (1983). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Untitled, Jean-Michel Basquiat (1983). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Untitled, Jean-Michel Basquiat (1983). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Left: Soho, Facade of building in Soho, New York, 1980. Ted Thai, The Life Collection of Images/Getty Images. Right: Subway, Graffiti in a IRT carriage of the New York subway, 1972 F. Roy Kemp/Stringer BIPs/Getty Images.

Left: Soho, Facade of building in Soho, New York, 1980. Ted Thai, The Life Collection of Images/Getty Images. Right: Subway, Graffiti in a IRT carriage of the New York subway, 1972 F. Roy Kemp/Stringer BIPs/Getty Images.

Left: The Mosque, Jean-Michel Basquiat (1982). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Right: Untitled (Hand Anatomy), Jean-Michel Basquiat (1982). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Left: The Mosque, Jean-Michel Basquiat (1982). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Right: Untitled (Hand Anatomy), Jean-Michel Basquiat (1982). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

45 Marker on Ceramic Plates, Jean-Michel Basquiat (1983/84). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

45 Marker on Ceramic Plates, Jean-Michel Basquiat (1983/84). © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York.

Jean-Michel Basquiat Studio on Crosby Street, Roland Hagenberg (1983), New York.

Jean-Michel Basquiat Studio on Crosby Street, Roland Hagenberg (1983), New York.

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Historias de la ecología

2nd Bienal das Amazônias

2ª Bienal de las Amazonias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Bienal

São Paulo

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Historias de la ecología

2nd Bienal das Amazônias

2ª Bienal de las Amazonias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Bienal

São Paulo