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Vista de la exposición

How To Disappear

How To Disappear - Contemporary And

How To Disappear considers the pervasive modes and technologies of surveillance in the making of contemporary society. This includes subtle and overt practices of racial profiling in public spaces, the distant violence of aerial surveillance, and the silent accumulation and instrumentalisation of algorithmic and digital data. With works by Ewa Nowak, Broomberg & Chanarin, Mary Wafer, David Goldblatt, …

How To Disappear considers the pervasive modes and technologies of surveillance in the making of contemporary society. This includes subtle and overt practices of racial profiling in public spaces, the distant violence of aerial surveillance, and the silent accumulation and instrumentalisation of algorithmic and digital data. With works by Ewa Nowak, Broomberg & Chanarin, Mary Wafer, David Goldblatt, Ja’Tovia Gary, Hyun-Sook Song, mounir fatmi, Jeremy Wafer, Kahlil Joseph and Nolan Oswald Dennis.

Take a virtual tour of the exhibitionhere.

Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Installation View, How To Disappear, at Goodman Gallery Johannesburg.

David Goldblatt, While in Traffic, Johannesburg (1967). Installation View, How To Disappear at Goodman Gallery Johannesburg.

mounir fatmi, Black Screen, 2005. Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Adam Broomberg and oliver Chanarin, Spirit is a bone, 2013. Installation View, How To Disappear at Goodman Gallery Johannesburg.

Installation View, How To Disappear at Goodman Gallery Johannesburg.

Installation View, How To Disappear at Goodman Gallery Johannesburg.

Mary Wafer, Blind, 2020. Installation View, How To Disappear at Goodman Gallery Johannesburg.

Ewa Nowak, Incognito, 2018. Installation View, How To Disappear at Goodman Gallery Johannesburg.

Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Jeremy Wafer, Nhlube (2004/2020) and Spitzkop (2004/2020). Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Khalil Joseph’s BLKNWS, 2019. Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Khalil Joseph’s BLKNWS, 2019. Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Hyun-Sook Song, 2 Brushstrokes, 2013. Installation View, How To Disappear, at Goodman Gallery Johannesburg.

Nolan Oswald Dennis, Aporia I, 2016.Installation View, How To Disappear, at Goodman Gallery Johannesburg.

mounir fatimi, Peripheral Vision, 2010. Installation View, How To Disappear, at Goodman Gallery Johannesburg.

A multimedia exhibit featuring a dark teal wall with two video screens, an adjacent wall with a large projected topographical map and six smaller screens, and a wooden table with headphones and stools.

‘In Minor Keys’ Schools at the 61st Venice Biennale

AfterBiennales

Koyo Kouoh

An art gallery booth with diverse artworks on white walls, two women conversing at a table, and blurred figures walking in the foreground.

Investec Cape Town Art Fair 2026

Global Art Market

Feria de arte

The 36th São Paulo Biennial - Contemporary And

The 36th São Paulo Biennial

SãoPaulo

Decolonial

Jazsalyn’s A(spora): On the Gullah Geechee Corridor - Contemporary And

Jazsalyn’s A(spora): On the Gullah Geechee Corridor

Arte digital

Tecnología

Bernice Mulenga’s LMK WHEN U REACH - Contemporary And

Bernice Mulenga’s LMK WHEN U REACH

Artículos

Bernice Mulenga

Alick Phiri and William Matlala: I’ll Be Your Mirror - Contemporary And

Alick Phiri and William Matlala: I’ll Be Your Mirror

Archivo

Alick Phiri