Conferencia
207 ARTÍCULOS
Ayrson Heráclito
Re:assemblages Symposium
Lagos
Nov 4–Nov 5, 2025
Nov 4–Nov 5, 2025
Salón ACME
Salón ACME No. 12
Feb 6–Feb 9, 2025
Feb 6–Feb 9, 2025
Sortear la escasez, la raza y la religión en la fotografía cubana
Guido Llinás: la increíble historia de un artista afrocubano en París
María Magdalena Campos-Pons: trazar las geografías de las diásporas negras
Colorful Threads: The Interwoven Worlds of Art and Culture in the Western Indian Ocean
The Africa Institute
Dec 14–Dec 16, 2023
Dec 14–Dec 16, 2023
In Common: Romare Bearden and New Approaches to Art, Race & Economy – Symposium
The New School
Nov 30–Dec 2, 2023
Nov 30–Dec 2, 2023
AKAA 2023
Carreau du Temple
Oct 20–Oct 22, 2023
Oct 20–Oct 22, 2023
Coco Fusco: Tomorrow, I Will Become an Island
KW Institute for Contemporary Art
Sep 14, 2023–Jan 7, 2024
Sep 14, 2023–Jan 7, 2024
Ríos intermitentes y las prácticas espirituales ancestrales cubanas
Museums Association of the Caribbean’s 2023 Conference
National Art Gallery of The Bahamas (NAGB)
Mar 1–Mar 5, 2023
Mar 1–Mar 5, 2023
Indisciplinas y contramemorias del arte afrodescendiente cubano
Belkis Ayón y la conexión entre Cuba y África Occidental
Um outro Brasil através das artes
MASP
Oct 22–Oct 22, 2022
Oct 22–Oct 22, 2022
Simone Leigh: Loophole of Retreat: Venice
Venice
Oct 7–Oct 9, 2022
Oct 7–Oct 9, 2022
African Photography: The Ethics of Looking and Collecting in the Age of Restitution
Online
Nov 11–Nov 11, 2022
Nov 11–Nov 11, 2022
Past Statements – Present Futures
Munich
Oct 7–Oct 8, 2022
Oct 7–Oct 8, 2022
Susana Pilar: Reclamando espacios a través de la performance
