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América Latina Magazine

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Histories of Ecology

A large, irregular art piece covered in vibrant, multicolored, organic textures, suspended above a light-colored floor.

C&AL’s Highlights of 2025 You Might Have Missed

A person with dark skin and a light blue head covering screams with wide eyes and outstretched hands, illuminated against a dark background.

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

Opinion

Performance

A person in a white dress walks barefoot on a rocky beach, carrying a large bouquet of red flowers, with ocean waves crashing behind them.

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Critique

Ecologies

A diptych: above, hands extend from a wall over a table with blue and white pottery; below, an art installation of fruits on rocks.

2025 in Review

Abstract sculpture composed of multi-colored fabric-wrapped ropes and bundled forms, suspended against a white wall.

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Vibrant artwork featuring stylized birds and creatures composed of intricate patterns, lines, and textures.

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Critique

In Memoriam

Black and white group portrait of many formally dressed Black men and one woman posing outdoors.

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Fonction

São Paulo

Esperanza de León: Curating Through Community Knowledge

Esperanza de León: Curating Through Community Knowledge

Fonction

Guatemala

2nd Bienal das Amazônias

2nd Bienal das Amazônias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Librería Ireti, Havana, Cuba

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

Eva de Souza: Textile Experimentation as Poetic Protest

Salvador

Bern

A k u z u r u: Art, Post-humanism and Healing

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
LGBTQIA+ Diversity Stories
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
Raíces y renacimiento: Mujeres Dominicanas en el Arte
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
It Comes from the Head: A Straw Heritage
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
LGBTQIA+ Diversity Stories
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
Raíces y renacimiento: Mujeres Dominicanas en el Arte
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
It Comes from the Head: A Straw Heritage
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
LGBTQIA+ Diversity Stories
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
Raíces y renacimiento: Mujeres Dominicanas en el Arte
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
It Comes from the Head: A Straw Heritage
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
LGBTQIA+ Diversity Stories
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
Raíces y renacimiento: Mujeres Dominicanas en el Arte
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
It Comes from the Head: A Straw Heritage
Abstract sculpture composed of multi-colored fabric-wrapped ropes and bundled forms, suspended against a white wall.

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Vibrant artwork featuring stylized birds and creatures composed of intricate patterns, lines, and textures.

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Critique

In Memoriam

Black and white group portrait of many formally dressed Black men and one woman posing outdoors.

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Fonction

São Paulo

Esperanza de León: Curating Through Community Knowledge

Esperanza de León: Curating Through Community Knowledge

Fonction

Guatemala

Librería Ireti, Havana, Cuba

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

Eva de Souza: Textile Experimentation as Poetic Protest

Salvador

Bern

In Conversation

Plus d'articles de

En Conversation

Ana Pi: Knowledge Does Not Disappear

Ana Pi: Knowledge Does Not Disappear

Fonction

Ana Pi

Biophillick: Connecting Ancestries Through Technology

Biophillick: Connecting Ancestries Through Technology

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Flooded Memories

UÝRA work intertwines water, identity, and resistance to challenge environmental devastation and forced displacement.

Duality as an Invitation to Multiplicity

Asian narratives in Latin America

À lire absolument

The Spiritual Technologies of Jamaican Maroons

The Spiritual Technologies of Jamaican Maroons

What’s Behind Decolonial Movements in Brazil?

What’s Behind Decolonial Movements in Brazil?

Electronic devices, including a glitching monitor, laptops, speakers, and a boombox, are arranged on a green tiled floor in a room with large windows.

Caribbean Sounds: The Connective Possibilities of Radio

Essai

Caribe

Afro-Indigenous Memory in the Work of Maria Lira Marques

Afro-Indigenous Memory in the Work of Maria Lira Marques

Brazilian Artist enorê Explores the Creative Language of Data

Brazilian Artist enorê Explores the Creative Language of Data

Fonction

Enorê

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

The Art of Translating and Vice Versa

The Art of Translating and Vice Versa

Dismantling colonial power

Dismantling colonial power

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Machada considers the arrays of Brazilian identity multiplicity and LGBTQIA+ invisibility in pre-colonial historicity. With her work, the artist proposes a destabilization of the collective imagination associated with love between femmes.

Dans la bibliothèque

Pénétrez dans des bibliothèques et des collections de livres abritant certaines publications rares et souvent tombées dans l’oubli, qui restent néanmoins essentielles au discours des deux extrémités du champ de la pensée.

Imprimé

We regularly publish print issues to offer critical thinking, artistic exploration, and dialogue across geographies.

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