América Latina Magazine
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Convergence des vies africaines et indiennes dans les peintures de Kelly Sinnapah Mary
Fundação Bienal de São Paulo announces the curatorial team for its 37th edition
61st Venice Biennale: National Pavilions
61st Venice Biennale: Arsenale and Giardini
Iahra: Addressing Marine Ecology Through Industrial Materialities
Oscar Murillo: Collective Osmosis
Transforming Memories of State Violence through Poetic Justice
Seed Archives: Celebrating African and Caribbean Design and Culture in London
Frestas – Art Triennial
Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic
Representing the Desires of the Community in the Work of Jeff Cán Xicay
The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus
In the Guatemalan artist’s practice, art moves beyond individual authorship to center communal and ancestral processes that shape Indigenous and cuir experiences.
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
Histories of Ecology
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel y Raphael Fonseca son los directores artísticos de la Bienal Sequences de Islandia
MAM São Paulo anuncia Diane Lima como curadora do 39º Panorama da Arte Brasileira
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Latin America is absent from the global debate on Afro-diasporic art, says Brazilian researcher Igor Simões, curator of the exhibition Dos Brasis. His argument draws on his own research as well as a survey of dozens of publications and exhibitions at North American institutions such as the Clark Art Institute and the Getty.
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
In Yoruba, ireti means hope or a positive expectation for the future. It’s also the name of the project that turned one year old in February, founded by Katiuska Govin in her own home.
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús uses the poetics and subjectivities of nightlife to create places of belonging where borders are blurred. In dialogue with queer and Black radical thought, and with ecological concern, Hilario-Reyes challenges conventional notions of individual, community, aesthetics and politics.
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
MASF: An Art Museum that Connects Territory and Communities
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
In their artistic practices Gladys Kalichini and Maritea Dæhlin explore memory, ancestry, and spirituality. While Kalichini examines erased Zambian women’s histories and water as a living archive, Daehlin blends her Norwegian-Cameroonian roots and sleep rituals to create vulnerable and transformative spaces of trust.
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=80&auto=format&fit=max&w=3840)
Under the curation of Eugenio Viola, “The World Tree” [El árbol del mundo] reaffirms the power of contemporary art to connect diverse histories and realms of experience, fostering unity and understanding across cultures, time, and space in an increasingly divided world.
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
In celebration of the 10th and 5th anniversaries of C& and C&AL, respectively, we visited Julianny’s studio, where the artist explores Caribbean identity through Indigenous, Afro-descendant, and feminine lenses. Using sculpture and painting, she reimagines artifacts and archives, fostering dialogues about memory, continuity, and resistance within the island’s art scene.
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro: Curation That Operates Outside Dominant Systems
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris
