Carlos Martiel, Eslabon, 2019. Courtesy the artist.

The Africa Institute in Sharjah 

Decolonizing African Studies: Decades in the Making

This spring, the recently reopened Africa Institute in Sharjah, UAE, held its first international conference, ...

Mohamed Bourouissa, Blida-Joinville, 2018–2019. Site-specific installation, wooden structure, plants, drawings, high quality video, 3D animation, sound, dimensions variable. Installation view: Sharjah Biennial 14: ‘Leaving the Echo Chamber’. Commissioned by Sharjah Art Foundation and coproduced by Institut Français, UAE, with the support of Institut Francais, Paris, with additional support from kamel mennour, Paris and Blum and Poe, Los Angeles. Courtesy of the artist, kamel mennour, Paris/London and Blum & Poe, Los Angeles/New York/Tokyo. Courtesy of Sharjah Art Foundation

Sharjah Biennial 14 

Mohamed Bourouissa Links Architecture and Psychology in Abandoned Kindergarten

Frantz Fanon has been an influence in many people’s lives for his ideas on liberation. Before he became know ...

NL 17 February 2019

Alia Farid, At the Time of the Ebb, Production Still. New commission for Sharjah Biennial 14: Leaving the Echo ...

Alia Farid, At the Time of the Ebb, Production Still. New  commission  for  Sharjah  Biennial  14:  Leaving  the  Echo  Chamber  - Look for Me All Around You, 2019. Courtesy of the artist

Sharjah Biennial 14 

Finding Alternatives to Representation with Claire Tancons

C&: How will the different curators respond to the overarching theme of the biennial? Claire Tancons: Unde ...

Otobong Nkanga
Unearthed – Abyss, 2021
Installation view ground floor Kunsthaus Bregenz, 2021 
Photo: Markus Tretter 
Courtesy of the artist
© Otobong Nkanga, Kunsthaus Bregenz

Exhibition 

Otobong Nkanga

How do we think about the ground we walk on, how to heal and protect it? Otobong Nkanga’s exhibition tells t ...

Anawana Haloba: Negotiating the Subtle Encounters: An Experimental Opera

Exhibition 

Anawana Haloba: Negotiating the Subtle Encounters: An Experimental Opera

Negotiating the Subtle Encounters: An Experimental Opera is an artwork by the contemporary visual artist Anawa ...

Ibrahim Ahmed, Does Anybody Leave Heaven? (detail), 2019, Presentation at the ICA © Ibrahim Ahmed

Exhibition 

Ibrahim Ahmed: It Will Always Come Back to You

  The first solo museum exhibition of Cairo-based artist Ibrahim Ahmed, It Will Always Come Back to You p ...

Emeka Ogboh, Ámà: The Gathering Place, 2019
Cleveland Museum of Art
© Scott Shaw

Exhibition 

Emeka Ogboh: Stirring the Pot

An all-rounder and internationally renowned artist, Emeka Ogboh is interested in migration issues and the link ...

Hassan Khan, HOST, 2007. Zweikanal-Videoarbeit und Sound Courtesy der Künstler und Galerie Chantal Crousel, Paris

Exhibition 

Hassan Khan : Host

From 7 December 2019 to 9 February 2020, the Kestner Gesellschaft presents a comprehensive solo exhibition by ...

Candice Breitz, 2019 © Tobias Zielony

Exhibition 

Candice Breitz. Labour

Candice Breitz is an influential chronicler of the contradictions that haunt popular discourse. She is best kn ...

Otobong Nkanga and Emeka Ogboh, Aging Ruins Dreaming Only to Recall the Hard Chisel from the Past, 2019. Multi channel sound installation, sculpture and light installation, poetry. Dimensions variable. Commissioned by Sharjah Art Foundation. Courtesy the artists. Photo: C&

Sharjah Biennial 14 Prize 

Otobong Nkanga and Emeka Ogboh have been Awarded for their Collaborative Project

For their collaborative project « Aging Ruins Dreaming Only to Recall the Hard Chisel from the Past (2019)  ...

Exhibition view for Gaëlle Choisne, TEMPLE OF LOVE at Bétonsalon – Center for Art and Research, Paris, 2018. Image credit © Aurélien Mole.

En Conversation avec Gaëlle Choisne 

Des explorations immatérielles entre des murs de béton

Contemporary And : Vous occupez un espace architectural pour une exposition qui a pour sujet l’immatériel, ...