América Latina Magazine
All Editorial
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
Histories of Ecology
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
A América Latina está excluída do debate global sobre a arte afrodiaspórica, diz o pesquisador brasileiro Igor Simões, curador da exposição Dos Brasis. Ele parte de sua pesquisa e de um levantamento de dezenas de publicações e exposições junto a instituições norte-americanas como The Clark Art Institute e a Getty Foundation.
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Na língua iorubá, <em>ireti</em> significa esperança ou expectativa positiva em relação ao futuro. Assim se chama o projeto que completou um ano em fevereiro, criado por Katiuska Govin no seu próprio lar.
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
<span class="dig-1hicw9p1_3-14-0 dig-1hicw9p0_3-14-0 dig-ekabin0_3-14-0 dig-Theme-vis2023 dig-Theme-vis2023--dark dig-Mode--dark In-Theme-Provider">Jesús utiliza poéticas e subjetividades da vida noturna para criar lugares de pertencimento onde as fronteiras são borradas. Em diálogo com o pensamento queer radical negro, e com uma preocupação ecológica, Hilario-Reyes desafia as noções convencionais de indivíduo, comunidade, estética e política.</span>
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
MASF: An Art Museum that Connects Territory and Communities
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
Em suas práticas artísticas, Gladys Kalichini e Maritea Dæhlin lidam com memória, ancestralidade e espiritualidade. Enquanto Kalichini se dedica a histórias apagadas de mulheres zambianas e ao trabalho com a água como arquivo vivo; Dæhlin combina suas raízes norueguesas-camaronesas com rituais de sono, criando espaços de confiança, vulnerabilidade e transformação.
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
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Under the curation of Eugenio Viola, <em>“The World Tree” [El árbol del mundo]</em> reaffirms the power of contemporary art to connect diverse histories and realms of experience, fostering unity and understanding across cultures, time, and space in an increasingly divided world.
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A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Em comemoração aos 10 e 5 anos da C& e C&AL, respectivamente, visitamos o estúdio de Julianny, onde a artista explora a identidade caribenha a partir de perspectivas indígenas, afrodescendentes e femininas. Por meio de escultura e pintura, ela reimagina artefatos e arquivos, promovendo diálogos sobre memória, continuidade e resistência dentro da cena artística da ilha.
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro: Curation That Operates Outside Dominant Systems
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris
Mãos: 35 anos da Mão Afro-Brasileira
Sofía Salazar Rosales: A Poetic Journey Through the Material
Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop
