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Ayrson Heráclito: Yorùbáiano

Ayrson Heráclito: Yorùbáiano
Ayrson Heráclito, Installation from the Bori series (Offering to Ori), 2008-22. Pinacoteca de São Paulo. São Paulo, Brazil Photo: Levi Fanan/Pinacoteca de São Paulo.

Ayrson Heráclito, Installation from the Bori series (Offering to Ori), 2008-22. Pinacoteca de São Paulo. São Paulo, Brazil Photo: Levi Fanan/Pinacoteca de São Paulo.

Ayrson Heráclito, “Letters of Liberty” Series, 2021, pen and ink on copies of a letter of manumission. Photo: Levi Fanan/Pinacoteca de São Paulo.

Ayrson Heráclito, “Letters of Liberty” Series, 2021, pen and ink on copies of a letter of manumission. Photo: Levi Fanan/Pinacoteca de São Paulo.

Ayrson Heráclito, “Inner Secrets” Performance (1994-2010). Pinacoteca de São Paulo. São Paulo, Brazil. Photo: Levi Fanan/Pinacoteca de São Paulo.

Ayrson Heráclito, “Inner Secrets” Performance (1994-2010). Pinacoteca de São Paulo. São Paulo, Brazil. Photo: Levi Fanan/Pinacoteca de São Paulo.

From left to right: Ayrson Heráclito, Bruno Maldegan, “Transmutação da Carne” (Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² - by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Lívia Piccolo, “Transmutação da Carne” (Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² - by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Branding iron, "Transmutação da carne" Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Photo: Levi Fanan/Pinacoteca de São Paulo

From left to right: Ayrson Heráclito, Bruno Maldegan, “Transmutação da Carne” (Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² - by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Lívia Piccolo, “Transmutação da Carne” (Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² - by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Branding iron, "Transmutação da carne" Transmutation of the Flesh) Performance, 2015, photograph printed with mineral pigments on Canson Rag Photographique 310 g/m² by Christian Cravo. Courtesy Simões de Assis, São Paulo, SP and Curitiba, PR. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Kiry Beuys Salvador, 1995 - 2022, glass aquariums, meat, religious saints, copper wires. Exhibition copy. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Kiry Beuys Salvador, 1995 - 2022, glass aquariums, meat, religious saints, copper wires. Exhibition copy. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Barrueco III, 2003, glass, water, salt, palm oil and crystal mirror, Courtesy of Portas Vilaseca Galeria, Rio de Janeiro, RJ. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Barrueco III, 2003, glass, water, salt, palm oil and crystal mirror, Courtesy of Portas Vilaseca Galeria, Rio de Janeiro, RJ. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Osún with Abebe and Ofá. 2020. Photograph. 122 x 122 cm. Press photo.

Ayrson Heráclito, Osún with Abebe and Ofá. 2020. Photograph. 122 x 122 cm. Press photo.

Ayrson Heráclito, Moqueca - The Atlantic Condor, 2002 - 2022, aluminum basin, table, 20 seats, plates, spoons and photographs, Photographs: 30 x 40 cm each; table: 120 x 85 x 80 cm); basin: 2m Ø. Artist's collection, Salvador, BA. Photo: Levi Fanan/Pinacoteca de São Paulo

Ayrson Heráclito, Moqueca - The Atlantic Condor, 2002 - 2022, aluminum basin, table, 20 seats, plates, spoons and photographs, Photographs: 30 x 40 cm each; table: 120 x 85 x 80 cm); basin: 2m Ø. Artist's collection, Salvador, BA. Photo: Levi Fanan/Pinacoteca de São Paulo

View of the “Ayrson Heráclito: Yorùbáiano” exhibition at Pinacoteca de São Paulo, São Paulo, Brazil. 2022. Photo: Levi Fanan/Pinacoteca de São Paulo

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61ª Bienal de Veneza: Pavilhões Nacionais

Bienal

Venice Biennale

A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

61ª Bienal de Veneza: Arsenale e Giardini

Bienal

Venice Biennale

Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

Oscar Murillo: Osmose coletiva

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Trienal de Artes

Bienal

Brasil

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Histórias da ecologia

Ecologias

Sustentabilidade

2nd Bienal das Amazônias

2ª Bienal das Amazônias