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Vista da exposição

‘I lost track of the swarm’ by Paul Maheke

'I lost track of the swarm' by Paul Maheke - Contemporary And

24 Março 2016

Revista C&

1 min de leitura

Vista da exposição

Arte da performance

Resistência

Paul Maheke

Galeria

While exploring the question of visibility through Georges Bataille’s notion of formlessness (L’Informe), Maheke refers to the dance club by turning the white rooms of the gallery into a vibrating space within which dance and music operate as means of resistance and gestures of remembrance. . . . . . . find exhibition infos: HERE

While exploring the question of visibility through Georges Bataille’s notion of formlessness (L’Informe), Maheke refers to the dance club by turning the white rooms of the gallery into a vibrating space within which dance and music operate as means of resistance and gestures of remembrance.

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Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016 Courtesy Paul Maheke. Photo Andy Keate

Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016 Courtesy Paul Maheke. Photo Andy Keate

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Courtesy Paul Maheke. Photo Andy Keate

Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Courtesy Paul Maheke. Photo Andy Keate

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Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Photo Paul Maheke

Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Photo Paul Maheke

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Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Photo Paul Maheke

Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Photo Paul Maheke

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Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Courtesy Paul Maheke. Photo Andy Keate

Paul Maheke, I Lost Track of the Swarm, installation view at the South London Gallery, 2016. Courtesy PaulMaheke. Photo Andy Keate

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find exhibition infos:HERE

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