PesquisarOportunidadesEventosSobre a C&Hubs
C&
Revistas
Projetos
Educação
Comunidade
Evento

Carmen Neely : not a tourist

Nova York, United StatesJane Lombard Gallery7 Novembro 2019 - 14 Dezembro 2019
Carmen Neely : not a tourist

Carmen Neely : not a tourist

Jane Lombard Gallery is pleased to present not a tourist, a solo exhibition of new work from painter Carmen Neely. The exhibition will take place November 7 through December 14, 2019 with an opening reception held at the gallery on November 7th from 6-8pm. Carmen Neely’s work has always been about the intricacies of transformation. The artist translates lived experience into nuanced gestures, and these gestures into myriad forms—from sculptures to laser-cut Plexiglass and textiles. Exploding over a flat white ground, her newest paintings play witness to an enigmatic inner world, one that’s bursting with energy and kinetic movement. Neely imagines her marks as a type of text—painterly letters or words—and the compositions are themselves sprung from evocative, conversational phrases: Breathe your own mask first, or Heard Quitting and Seen Dancing. These new pieces gently incorporate older work, appropriating and reinventing gestures in the form of enamel pins or embroidered patches that are subtly affixed to the canvas. The adornments reference the sort of mass-market consumer goods that one might find in a souvenir gift shop while on holiday. Neely explores themes of otherness and difference, through the charged lens of tourism. “It’s a sampling of other’s lives for pleasure and entertainment,” the artist says, of our fascination with traveling to new or supposedly foriegn places. “It sits on the shelf as a trophy and commemorates a type of conquest.” By playing with these layered themes—and troubling the distinction between the painted gesture and its replica, in the form of pin or patch—Neely abstractly tackles her own sense of cultural otherness, "the sort of fraught, day-to-day maneuvering historically labeled as 'double consciousness' or 'double identity'. The work is playful, but simultaneously derives from Neely's uncomfortable familiarity with othering; which "rejects your identity and denies you the right to claim a space as your own", she says. These paintings boldly stake their own claim—one that speaks from an intimately personal position, yet yearns toward the universal. www.janelombardgallery.com

Mais artigos de

Beyond Representation

Beyond Representation

Pérez Art Museum Miami
7 de dez. de 2023–31 de dez. de 2026
Diverse work uniforms displayed on stands in a bright room with large windows.

Dignidade e luta: Laudelina de Campos Mello

Instituto Moreira Salles
16 de mai.–22 de nov. de 2026
An art installation of white fabric ropes hangs within a bright atrium with a glass ceiling, some looping in the foreground, others vertical against a large window overlooking a city.

Cecilia Vicuña - The vanished glacier

Castello di Rivoli
30 de abr.–20 de set. de 2026
A man leans against large speakers next to a customized mobile record shack called "Swing A Ling," painted with music genres like Reggae and Soul.

Dancing the Revolution

Museum of Contemporary Art Chicago
11 de abr.–20 de set. de 2026
Illustration of two naked people in a teal bathroom; one sits on the edge of a bubble bath holding a katana, while the other relaxes in the bubbles with a drink.

The Object of Power is Power

Leslie-Lohman Museum of Art
6 de mai.–20 de set. de 2026