América Latina Magazine
All Editorial
Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic
Representing the Desires of the Community in the Work of Jeff Cán Xicay
The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus
Manuel Tzoc: Art as Embodied and Relational Poetry
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
Histories of Ecology
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art
En su performance, la artista de Minas Gerais disuelve fronteras entre el cuerpo y la materia. Voces emergen como fuerzas térreas, convocando presencia, miedo y deseo. Este texto aproxima la obra de Malu a fabulaciones para pensar la salud, la monstruosidad y modos de existir posthumanos.
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Inspirada por la escritora Conceição Evaristo, la instalación del colectivo brasilero Irmandade Vilanismo crea un pacto simbólico en torno a la vida. El grupo, formado por diez artistas negros y periféricos, ocupa el espacio de la Bienal como si fuera un atelier y un manifiesto por la dignidad, la tierra y contra las expectativas racistas.
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
With a title derived from the poem “Da calma e do silêncio” by Conceição Evaristo, the 36th Bienal de São Paulo brings together 120 participants at the Bienal Pavilion and five more at Casa do Povo, proposing an urgent reflection on humanity, nature, and listening.
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
Al transformar una escalinata pública en un museo de arte al aire libre, el MASF es más que una colección de artefactos. El museo es la realización del sueño colectivo de dar apoyo a personalidades comprometidas con la escena local, y combinar prácticas culturales con saberes, poesía y momentos de placer, en los que la resistencia lleva a la preservación de la ciudad.
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
Desde el primer pabellón indígena brasileño en Venecia hasta la liberación del carnaval en el Caribe, estos son algunos de nuestros artículos más leídos del año pasado.
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
A segunda edição da Bienal das Amazônias está programada para o segundo semestre de 2025 e coincidirá com a 30ª Conferência das Partes da Organização das Nações Unidas (COP 30), que tem a expectativa de reunir em torno de 100 mil pessoas de 197 países, na cidade de Belém, em novembro de 2025.
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro: Curation That Operates Outside Dominant Systems
