América Latina Magazine
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553 articles
The practices of Edgar Calel and Cameron Rowland resist extractive logics and imagine alternative relations to value, community, and history.
Edifício Pietro Maria Bardi vai abrigar cinco novos espaços expositivos.
Our Editor-in-Chief reflects on the people and moments that made this year so unforgettable.
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
Bonaventure Soh Bejeng Ndikung, chief curator of the 36th Bienal de São Paulo, announces its title and curatorial concept.
In her solo show, the Ecuadorian artist intertwines poetry, dance, and sculpture to explore themes of absence, presence, and desire.
A profile on the Brazilian artist and how she materializes the possible and visits the past without repeating violence.
A conversation about critical fabulation, personal and collective histories, and silenced lives of the African Diaspora.
A conversation about the political meaning of sand in the Caribbean and the game as a metaphor for a precarious life.
Exhibition inspired by Abdias Nascimento's Quilombismo philosophy marks reopening of Berlin's House of World Cultures.
Curators Onyịnye Alheri and Carolina Policarpo display collaborations between artists from Mozambique, Nigeria, and Angola.
Exhibition traces the history of character who afforded liberation to gender-diverse communities in Bolivia.
An essay on ancestral names for the sociopolitical territory we now call Latin America.
Pedrosa, artistic director of MASP, will be the first South American curator of the Venice Biennale.
Featuring artists from diverse backgrounds, the Panorama's latest edition reflects the dynamic landscape of contemporary Brazilian art.
MASP showcases portraits of Black personalities historically overlooked in Brazil
Haiti-based Atis Rezistans presents a multimedia installation, artist residencies, performances, screenings, and discussions in Kassel.
A look into libraries and book collections holding some of the rarer and often forgotten publications. Featured this time: The Black Library in Mexico
The multidisciplinary artist from Santo Domingo appropriates colonial codes in order to invert relations of power.
Yina Jiménez Suriel reflects on emancipatory processes in the Caribbean.
The St. Vincent-based photographer talks about the ocean, the imagination of new worlds, and the role of fire in the Caribbean
The Puerto Rican artist talks about his work with salsa album covers, how they reference Caribbean culture and how they bring together diverse musical, aesthetic and social manifestations.
One of the most inspiring Latinx artists of recent years talks about Cuban identity, imperial discourses – and the importance of recognition.
Africa is the Future radically challenges the ways in which the continent’s past, present, and future are depicted and how its entanglement with the world is portrayed.
Visual artist Édgar Calel dedicates his work to his ancestral culture and reflects on movement and transformation.
The Dominican-American artist talks about art, her roots and her new series In Quarantine.
This first online exhibition of the digital art space Mahogany Culture is a conversation with creatives in Barbados, the Caribbean and the Diaspora.
Multi-year effort includes research, exhibitions, and community-building
Pesquisadora Daniele Machado Vieira recebe prêmios nacionais com dissertação sobre o deslocamento dos territórios negros em Porto Alegre
Brazilian artist dialogues with various languages: from documentary webseries to photography, installation, and performance.
The Colombian chef, artist and activist portrays the memory and the customs of marginalized communities in the Colombian Pacific.
As a system of oppression, colonialism never ceased, but re-branded – as an exhibition in San Francisco shows.
“I didn’t want to do things that looked like what you would find on a Shit-Dominicans-Do list. I didn’t want the very obvious”.
About anti-Blackness as a foundational element of the United States, narrow representations of Africa, and art awards.
Show brings together work by 17 artists, raising pressing issues and ways of understanding the world that sidestep methods of reason.
Breaking away from the single-theme model, the 33rd Bienal de São Paulo features twelve individual projects and seven group shows.
German scholar Fatima El-Tayeb explains how Europeans appropriate Black historical personalities and deny Africans their history.
Exhibition seeks to reveal the multiplicity of exchanges among traditional African cultures and colonial culture in Keïta’s photos.
The book combines history with cultural and art historical approaches, featuring vivid and enticing descriptions of life in Bahia.
The project “Der Black Atlantic” (2004) apresentou Berlim
Notable artists established ways of observing, constructing and depicting female identity in often hostile political contexts.
We talk to independent curator Fabiana Lopes, who is currently researching the production of artists of African descent in Brazil.
Despite their political differences, Cuba and Senegal established new programs and institutions dedicated to the arts.
