Magazine
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Rest in/as Freedom: kiarita and Black Politics of Liberation
On Ghosts and The Moving Image: Edward George’s Black Atlas
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Caribbean Sounds: The Connective Possibilities of Radio
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
The 36th São Paulo Biennial
A Collector’s Guide to São Paulo
Images
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The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
La Biennale de l’Art Africain Contemporain Dak’Art 2024
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
The Spirit Will Not Descend Without Song
The Anarchist Citizenship – People Made of Stories
60th Venice Biennale: National Pavilions of Benin, South Africa, Senegal and Ethiopia
La Biennale de l’Art Africain Contemporain Dak’Art 2024
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Elolo Bosoka: What he saw sees when he went goes strolling
Bernice Mulenga’s LMK WHEN U REACH
Noah Davis
Alick Phiri and William Matlala: I’ll Be Your Mirror
OFF Biennale Dakar 2024
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
60th Venice Biennale: National Pavilions of Zimbabwe, Nigeria and Côte d’Ivoire
Texts
View all texts
Caribbean Sounds: The Connective Possibilities of Radio
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
A Collector’s Guide to São Paulo
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Mapping Literary Circuits with Bao Books in Tunis and Cairo
Through performance, sonic explorations and film, artist Tristany Mundu brings us into conversation with his city through works such as "the acliclas" (2020) and "City around the City" (2025).
Extending an ongoing conversation around the evolution of image practices in Africa, writer Kim M. Reynolds dives into Amy Sall’s "The African Gaze: Photography, Cinema and Power", and the wider historical context and infrastructure of African image-making practices.
Art in Crisis
Imagining a Future for the Arts in the US
Sudan Art Archive Aims to Reclaim a Canon from Afar
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
Take a look into libraries and book collections holding some of the rarer and often forgotten publications, which are nonetheless essential to the discourse on both sides of the spectrum.
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SOUND
The C& Audio Archive features a selection of discursive content published in C& Magazine. Listen to artist interviews, reviews, features, and opinions relating to crucial discussions around contemporary art.
