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1848 ARTICLES
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Nnena Kalu wins Turner Prize 2025
On Ghosts and The Moving Image: Edward George’s Black Atlas
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Rest in/as Freedom: kiarita and Black Politics of Liberation
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
In Düsseldorf, curator Cate Lartey and artist Donja Nasseri activated Maktaba Room: a mobile reading room for pausing, discovering and lingering in the heart of the city.
Introducing the C& Cyclopedia
Tadáskía Wins the 2025 K21 Global Art Award
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
The 36th São Paulo Biennial
A Collector’s Guide to São Paulo
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Bernice Mulenga’s LMK WHEN U REACH
Mapping Literary Circuits with Bao Books in Tunis and Cairo
Alick Phiri and William Matlala: I’ll Be Your Mirror
Reflecting on a residency program between Lamu Kenya and Basel Switzerland, writer Ann Mbuti asks regarding the paradoxes of artistic impact: What does it mean to conduct artistic research in a context shaped by asymmetries of power and histories of extraction? What forms of exchange are possible? What forms of care are required?
Dignity Under Duress: Black Figuration Beyond the Global Art Market
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17
Sudan Art Archive Aims to Reclaim a Canon from Afar
Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition
Samson Mnisi: A Master Posthumously Receives His Due
Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
Image Interventions in "The African Gaze"
Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision
‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies
Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025
The curator of the upcoming 2026 Venice Biennale, chief curator of Zeitz MOCAA, and founder of RAW Material Company has passed away at age fifty-seven.
Dispatches from Tint Library’s London Pop-Up
Kapwani Kiwanga Wins the 2025 Joan Miró Prize
FESPACO 2025 Made Space for the Ceremony of African Cinema
Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?
Imagining a Future for the Arts in the US
‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo
Stewarding an Antidisciplinary Practice
Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief
Examining De/Colonial Traces Through Colonial Collections
Thinkers and Titles: On Black German Literary Tradition
AWARE (Archives of Women Artists, Research & Exhibitions)
Ellipse Prize 2025 Announces Finalists of 5th Edition
Formerly at Zeitz MOCAA, the curator is appointed to lead the Africa collection and enhance community engagement at Royal Ontario Museum, Toronto.
In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026
Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures
Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition
Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending
Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025
On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Kampala Calling: The African and Diaspora Artists Flocking to Uganda
Unidigrazz: A Collective Practice and a Holding Place
To Spring From Salted Earth
The Secret Apothecary
Shades of Green
C& regularly takes a look into book collections holding rare publications. This time, Keren Lasme chooses five books from the feminist library AWU in Dakar.
C& Highlights of 2024
The Resilient Spirit of the Bamako Biennale
Naomi Beckwith Appointed Artistic Director for documenta 16
Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako
, so I dream: An Ode to Stuart Hall
C& Builds a Living Digital Archive
Bring Home your C& Collectors Box!
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026
MACAAL in Marrakech Will Reopen in 2025 After Undergoing Significant Renovations
Massoud Hayoun: Making Art To Say Things Out Loud
The Anarchist Citizenship – People Made of Stories
Haja Fanta takes a look at the long-awaited biennial, questioning its conceptual coherence while admiring its composition and drawing out its continued importance.
La Biennale de l’Art Africain Contemporain Dak’Art 2024
Agnès Brezephin Awarded the Grand Prix Léopold Sédar Senghor at This Year’s Dakar Biennale
Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’
Tracing the Then and Now of Restitution Through Mati Diop’s Documentary Fantasy Dahomey
36th Bienal de São Paulo Reveals Title, Concept, Partnerships, and Visual Identity
An Exhibition Aims at Accessibility Against a Backdrop of Protest in Kenya’s Capital
ART X Lagos 2024 Reveals Theme, Gallery List and Program
Gaëlle Choisne is the Winner of Prix Marcel Duchamp 2024
Fotogalleriet Announces Nkule Mabaso as Director from 2024 to 2028
Elolo Bosoka: What he saw sees when he went goes strolling
Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power
Five Things You Need to Know About the John Randle Center Before It Opens
Having started as a vlogger, the artist uses her biography to create shared reference points beyond self-referentiality, writes Guilherme Vilhena Martins.
C& Artists’ Editions #5 Zohra Opoku
Noah Davis
Zohra Opoku: Empowering Children of Color to Love Themselves
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