Afterlives of History
Portugal is home to one the largest Afro-diasporic communities in Europe, related to Lusophone countries such as Cabo Verde, Angola, São Tomé and Príncipe, Guinea-Bissau, and Mozambique. As the original western colonial empire, Portugal set a blueprint for today’s global inequalities.
It is this and the persistent crisis the country faces that condition the international visibility of Portugal’s Afro-diasporic community. This series, “Afterlives of History,” spotlights its artists in all their variety and complexity.
40 ARTICLES
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
A Call to History
Unidigrazz: A Collective Practice and a Holding Place
Filipa Bossuet: Performance as Conversation, Intimacy as Power
Aline Motta: The Archive As Part of Ancestry
A Reader on Post-Colonialism and Decolonial Practices
Fatima El-Tayeb: Reclaiming Nefertiti
The Jumbee Sea
Artists in Transit in the 1960s and 1970s
Debating Memories with Several Selves
“More Desire to Measure up to the North Than to Redefine It”
Bringing out the Memory of African Identities
Dawit L. Petros: Spazio Disponibile
Memorial in Lisbon: Recovering History That Was Made Invisible
Afro-Argentina or The Importance of Alternative Histories
What Collective Remembrance Is For
