In Conversation
337 ARTICLES

On Ghosts and The Moving Image: Edward George’s Black Atlas

Confronting the Absence of Latin America in Conversations on African Diasporic Art

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

Massoud Hayoun: Making Art To Say Things Out Loud

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power

Agape Harmani: Trauma as an Essential Part of Diaspora

In the Wake of Dak’Art Biennale 2024: A Momentum for Reflection

Spaces of Collective Learning, Relearning and Unlearning with Drama Queens

Faith Ringgold: “I am very inspired to tell my story, and that’s my story.”

Azu Nwagbogu: “Restitution is not restricted to objects but includes knowledge systems”

Nidhal Chamekh: “I instinctively move into unexplored territory”

Diana Ejaita: Unfixed Stories, Interconnected Worlds

Baloji and the Art of Averting the Evil Eye

John Akomfrah: “If there is a problem with hybridity, for me, it is that it participates in this hierarchization of the world”
