which opened on 5 March 2015, and will be on view until 5 June 2015. The three-day gathering will begin the afternoon of 10 April 2015 and end the evening of 12 April 2015, with the expectation that new and original papers will be presented by a group of invited participants who include scholars, literary and art critics, filmmakers, poets, playwrights, novelists and artists. The conference will offer a platform for these participants to document and provide a critical understanding of the making of modernity in Sudan and the enduring debate on identity in Sudanese cultural and political history. It is hoped that this event will enable an investigation of the modernist movement in Sudan from historical, socio-cultural, literary and artistic perspectives. The conference will focus on a pivotal moment in Sudan – the 1960s and 1970s – which witnessed the rise of several modernist movements that radically transformed the literary and artistic scenes. This period also witnessed extremely dynamic and creative activities in all fields of cultural and artistic production – from literature, music and theatre to visual and performing arts. The most influential among these movements were The Khartoum School (Madrasat al Khartoum) in the visual arts and the School of the Bush and the Desert (Madrasat al Ghaba wa al Sahra’) in literature, a movement which also influenced the work of several artists of the Khartoum School who will be included in the upcoming exhibition. In addition, the question of the identity of Sudan has been central to the debate on modernity, considering what the late Professor Ali Mazrui had called the ‘multiple marginality’ of Sudan – a diverse nation that exists on the cross-roads of Africa and the Arab/Islamic worlds, and yet marginal to both. Despite the importance of the 1960s and 1970s in shaping modernity and the question of identity in Sudan, the scholarship on such an important period remains scarce. With the exception of a few published books, articles and memoirs, the subject remains largely unaddressed in the academic or literary circles of Sudanese studies. This makes the conference and the expected publication of its proceedings most urgent and very timely. Modernity and the Making of Identity in Sudan: Remembering the Sixties and Seventies represents an effort to bring together some of the major figures who have shaped the literary and artistic scenes of the 1960s and 1970s with younger generations of scholars, artists, and literary and art critics, while providing a platform for documentation and critical investigation of this important period. The subsequent publication will include essays by participants from wide-ranging backgrounds. A comprehensive introduction will provide the historical background and critical reading of the modernist movements and the making of identity in Sudan. The book will also contain reprints of major documents and archival material related to these movements, including foundational essays, manifestos and poems from the 1960s and 1970s. Participants include Mansour Khalid, Kamala Ibrahim Ishag, Mohammed El Makki Ibrahim, Abdullahi Ali Ibrahim, Sondra Hale, Ibrahim Mohammed Zein, El Nour Hamad, Ibrahim El Salahi, Eiman Abbas H. El-Nour, Abdullahi Gallab, Ahmed Ibrahim Abushouk, Stella Gatiano, Suleiman Mohammed Ibrahim, Kamal Elgizouli, Taban li Liyong, Nahid Mohammed Hassan, and Nureldin Satti. Modernity and the Making of Identity in Sudan: Remembering the Sixties and Seventies is organised by Sharjah Art Foundation and the Institute for Comparative Modernities, Cornell University. To register for this event please contact

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Modernity and the Making of Identity in Sudan: Remembering the Sixties and Seventies